Insight · Just Thoughts #62

    Intimacy of Violence

    Some stories don't begin with answers, but with the courage to finally speak.

    A conversation with M. L. Habacuque (Miranda)

    Too long; did read

    • 1Some stories don't fit frameworks — listening to them is the most uncomfortable form of thinking.
    • 2The oppressor is not always outside the community; internal violence cuts deepest.
    • 3Privilege is invisible until you sit across from someone who has never had it.
    • 4Courage to speak and courage to truly listen are two sides of the same leadership skill.
    • 5Difficult conversations don't begin with answers — they begin with the willingness to be changed by what you hear.

    Difficult conversations & bias

    Six Bias Realisations

    Each realisation surfaces a bias that is invisible until named — and offers a leadership reflection for your own context.

    What Miranda showed us

    The oppressor is not always outside the community. Competition, beauty standards, passing, skin color — small things cut the deepest. A community is never one thing.

    Leadership reflection

    Leaders who assume marginalized groups are monolithic miss the fractures within. Real inclusion requires understanding intra-community dynamics, not just inter-group ones.

    Context

    How This Conversation Happened

    Nicolas sat down with Miranda to look at her writing — Notion pages filled with content, a notepad with drawings, and a lot of thoughts. One title page stood out: "Intimacy of Violence." She told him this story was one she hadn't written yet. He said, "Let me help, let's talk through it."

    Mics on, recording on. She spoke; he reflected. After an hour of discussion, the recording was processed into a spoken-word podcast — Miranda's story of the intimacy of violence, transcribed.

    It puts other discussions in perspective. When have you truly listened — not on TV, but in conversation? When have you appreciated the privileges you hold, or even identified what they are?

    Does this resonate?

    Would love to hear why — what landed, what didn't, what it stirred up in your own work.

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